Publication

  • Simin Yang, Courtney N. Reed, Elaine Chew, Mathieu Barthet, “Examining Emotion Perception Agreement in Live Music Performance”, IEEE Transactions on Affective Computing (IF=10.51), 2021 [IEEE Early Access][PDF (preprint)]
  • Simin Yang, Elaine Chew, Mathieu Barthet, “Identifying Listener-informed Features for Modeling Time-varying Emotion Perception”, Oral Presentation at 14th International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille, France, 2019 [PDF][Blog post]
  • Dorien Herremans, Simin Yang, Ching-Hua Chuan, Elaine Chew, Mathieu Barthet, “IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotation”, The 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, London, UK, 2017 [PDF][Details]
  • Simin Yang, Mathieu Barthet, Elaine Chew, “Interrogating Reasons for Disagreements in Time-varying Music Emotion Perception”, Abstract + Oral presentation at the biennial meeting of the Society for Music Perception and Cognition (SMPC), New York, USA, 2019 [OSF Repo][Slides][Blog post]
  • Simin Yang, Courtney Nicole Reed, Elaine Chew, Mathieu Barthet, “Listener-informed Features for Time-varying Emotion Perception in Live Music Performance”, Speaker, Abstract + Oral presentation, The Seventh seminar on Cognitively Based Music Informatics Research workshop (CogMIR), New York, USA, 2019 [Abstract (on Page 10)][Slides]
  • Courtney Nicole Reed, Simin Yang, Elaine Chew, Mathieu Barthet, “The Listening Participant and The Living Instrument: A Thematic Analysis of Why Listeners Actively Annotate Emotion Changes Through Live Performance”, Abstract, Workshop-Symposium on Research Methods in Music and Emotion, Durham, UK, 2019
  • Simin Yang, Mathieu Barthet, Elaine Chew, “Multi-scale Analysis of Agreement Levels in Perceived Emotion Ratings During Live Performance”, Extended abstracts for the Late-Breaking Demo Session, 18th International Society for Music Information Retrieval Conference (ISMIR), Suzhou, China, 2017 [PDF][Details]